Visits to Ukraine for international artists and cultural workers

Funding: Prague Civil Society Centre
Partners: Prague Civil Society Centre, Asortymentna kimnata, post impreza, proto produkciia, Opera aperta, Antonin Artaud Fellowship
Duration: September 2023 – January 2024, July – September 2024
Budget: 3,358,426 UAH
Visit program curators: Olga Diatel, Alona Karavai
Project management: Yuliia Alenina, Alona Odarenko, Sofia Levchenkova, Andriy Lutsiv, Hanna Kachkovska
Contact: office@insha-osvita.org

The Russian full-scale war against Ukraine has had a critical impact on the humanitarian, social, cultural, artistic, environmental and other sectors. Moreover, the further it goes, the more profound and irreversible this impact is. Even after the victory, Ukraine will be recovering and rebuilding for a long time.

We understand that foreign news about events in Ukraine from a distance often sound unclear and unbelievable. We also fully understand that there is no fully safe space in current conditions in the country. But we see it important to create possibilities for international artistic exchange and two-sided circulation of ideas and experiences even in such difficult conditions. This project is an intention to see and try to understand how war affects a modern person, an artist and an art institution in particular, how it changes society, priorities, and roles.

In 2023-2024, we invited performers, independent media journalists, cultural managers, producers, critics and curators, artists working with visual arts from Germany, Austria, France, Italy, Spain, Poland, the Czech Republic, Greece, the United Kingdom and the Netherlands. Over the two years of the project, we implemented 9 visits to Ukraine for 50 European cultural professionals.

In 2023, 30 cultural specialists from Germany, Austria, France, Italy and Spain joined us:

In September (18-24), a group of performers was hosted. During networking, they interacted with European colleagues. Three workshops were also conducted: “Mask as Material — Material as Mask” by Alexej Vancl, “Digital tools for creators: the SNEO experience” by Mayda Á. Islas, and “PAINTJOCKEY” by Eva Evitzkaya.
From October 9 to 15, a group of European visual artists were welcomed. Besides networking, they watched the film “Irpin. Chronicles of Revival” by the ArtPole artistic initiative. They also managed to visit the city, follow the paths from the film, and meet some people from the neighboring community. Discussions were held with people who experienced the occupation and heard their stories of recovery. Artist talks were conducted by Seila Fernández Arconada, Clara Tischler, and Riiko Sakkinen, discussing contemporary interactions between nature and humans, migration, loss of people and home, and the role and responsibility of artists in society.
From October 16 to 22, a group of foreign cultural journalists visited Ukraine. They acquainted themselves, planned cooperation, and held a discussion about Ukrainian culture and art in the Western European media together with Daria Badyor, a Ukrainian cultural journalist and film critic, and a German journalist, reporter, and art historian Christine Hamel.
In November (6-12), a group of critics and curators was introduced to the local context. They visited local artists in Bucha, Irpin, and Motyzhyn. The guests also presented their projects. Benjamin Gruner, Jeannette Brabenetz, and Zofia Nierodzinska discussed preparations for the Pochen Biennale 2024, research on the theme of fragility in the world, strategies of resilience in Central and Eastern Europe, and the feeling of life in (in)security.
From November 13 to 19, a group of cultural managers and producers was hosted. They established connections, exchanged experiences, and discussed the specifics of working in Europe with colleagues from Germany, France, Spain, and Italy.
In January 2024, foreign curators, anthropologists, and writers were welcomed in Kyiv. Along with Olexander Kurmaz, they were introduced to the city, visited the workshops of the Institute of Automation, spent a lot of time in Nikita Kadan and Anton Saienko studios, and interacted with Ukrainian cultural figures: the founder of the Past / Future / Art platform Kateryna Semenyuk, the co-founders of the NGO Museum of Contemporary Art Olha Balashova and Yulia Hnat, and the curator Natasha Chichasova.

Also, within the project, our partners from ProEnglish Theatre invited French performers Madeleine Bongard and Julie Zeno to collaborate on joint projects.

The work in progress performance “Forget-me-not” with Julie Zeno, directed by Alex Borovensky, tells the story of a Ukrainian woman who was forced to leave her home and move to France due to war. The performance was presented on December 16 at ProEnglish Theatre, and Julie also plans to present the performance in France this winter.
Madeleine Bongard, along with performer and director Anabell Sotelo Ramirez, worked on the performance “Black Hole — Sur la ligne de Front”. The performance was presented on December 21 at the Dovzhenko Centre.

In 2024, we invited 20 curators, performers, cultural managers, journalists, critics, artists from Germany, Poland, the Czech Republic, Greece, France, Italy, the United Kingdom, and the Netherlands:

From August 5 to 11, the first group of artists, curators, and art critics were hosted in Kyiv. The week-long program included visits to art workshops, studios, and museums, meetings with Ukrainian artists, discussions, a one-day trip to Odessa to meet local artists, and, traditionally, networking with Ukrainian cultural professionals at Urban Space 500.
From September 26 to August 1, we welcomed the second group, which included cultural managers, artists, producers, curators, and theatre director. We showed art workshops at the Institute of Automation, held networking at Urban Space 500, attended a presentation of work in progress by Antonin Artaud fellow Marina Shchegelska. The project participants managed to take part in the EU4Culture festival in Vinnytsia, where they joined the public discussion “Connections between the Ukrainian and international art community after the full-scale war”. You can read an interview with the curator, art historian, anthropologist Raman Schlemmer at the link.
From September 16 to 22, we hosted the third group of artists, curators, researchers, and journalists. We managed to visit the art workshops of the Institute of Automation and held a networking event at Urban Space 500. We had a meeting with Stanislav Turin at Ateliernormalno, saw the Tiberius Silvashi’s exhibition at the Ukrainian House, and visited Babyn Yar with Illia Razumeiko. In addition to Kyiv, we visited the exhibition “Sense of Security” at the YermilovCentre in Kharkiv. We also held a discussion about trauma-informed art and the therapeutic potential of art. Read the interview with the curator of the Malta Biennale Sofia Baldi Pighi at the link.

The project is implemented by Insha Osvita in partnership with Prague Civil Society Centre, Asortymentna kimnata, proto produkciia, post impreza, Opera aperta, Antonin Artaud Fellowship / Стипендія імені Антонена Арто.